The list in release order, from the earliest shorts onward. Showing 421–440 of 698.
26 May 1950 00:07:00
Little Audrey is baking a cake, and in the manner of her cartoons she falls asleep and dreams herself into the world of the ingredients: Cakeland, a kingdom of pastry where the Gingerbread Man is her guide and Angel Cake its sweet-natured princess.
27 May 1950
An Egg Scramble builds comedy around a strong Warner personality: Bugs' control, Daffy's instability, Porky's patience, Tweety's innocence, Sylvester's appetite, or Foghorn Leghorn's bluster. The plot is usually a trap designed to expose that personality.
08 Jul 1950 00:07:00
8 Ball Bunny builds comedy around a strong Warner personality: Bugs' control, Daffy's instability, Porky's patience, Tweety's innocence, Sylvester's appetite, or Foghorn Leghorn's bluster. The plot is usually a trap designed to expose that personality.
21 Jul 1950 00:07:00
A hungry lion in the jungle, all appetite and no success, sets out to catch his dinner, and the dinner is smarter than he is.
18 Aug 1950 00:07:00
Little Audrey has been reading crime comics instead of her nursery rhymes, and when she falls asleep the two collide.
16 Sep 1950
A Fractured Leghorn builds comedy around a strong Warner personality: Bugs' control, Daffy's instability, Porky's patience, Tweety's innocence, Sylvester's appetite, or Foghorn Leghorn's bluster. The plot is usually a trap designed to expose that personality.
22 Sep 1950 00:07:00
Camp Dog belongs to the crowded postwar theatrical-short market, where studios needed steady releases built from chases, songs, fairy-tale spoofs, animal rivals, or topical settings.
23 Sep 1950 00:07:00
Bunker Hill Bunny builds comedy around a strong Warner personality: Bugs' control, Daffy's instability, Porky's patience, Tweety's innocence, Sylvester's appetite, or Foghorn Leghorn's bluster. The plot is usually a trap designed to expose that personality.
30 Sep 1950
Rabbit of Seville turns pursuit into performance. Bugs and Elmer do not simply run through a theatre; they reorganize Rossini's music into a complete slapstick structure where every trim, shave, and blow lands on rhythm.
13 Oct 1950 00:06:00
Bee at the Beach is a compact theatrical cartoon built around a clear comic or musical premise. Its structure reflects the demands of short-subject exhibition: start quickly, escalate cleanly, and leave a memorable final gag or image.
04 Nov 1950
Gerald is a little boy who cannot speak in ordinary words. Instead, he communicates entirely through sound effects: whistles, boings, crashes, squeaks, and mechanical blasts.
13 Apr 1951
Hold the Lion Please builds comedy around a strong Warner personality: Bugs' control, Daffy's instability, Porky's patience, Tweety's innocence, Sylvester's appetite, or Foghorn Leghorn's bluster. The plot is usually a trap designed to expose that personality.
16 Jun 1951
Symphony in Slang begins with a simple premise and then lets Tex Avery-style logic push it past ordinary sense. Scale changes, literalized language, impossible timing, or musical sabotage become the real story engine.
28 Jul 1951 01:15:00
Bored by her sister's history lesson in an English park, Alice daydreams of a world of nonsense, then sees a White Rabbit in a waistcoat hurrying by, complaining that he is late. She follows him down a rabbit hole and falls into Wonderland.
22 Sep 1951 00:07:30
Sylvester, rummaging hungrily through dustbins, wanders down to the docks and spots Tweety in his cage through the porthole of a cruise ship. He opens the porthole, Tweety slams it, and Sylvester drops into the water.
12 Oct 1951 00:07:00
Katnip the cat is laid up with a streaming cold, wrapped in a bathrobe and sneezing on the floor, dosing himself from medicine bottles. He consults a book of "Hot tips for colds", which recommends: "Starve a fever and feed a cold.
09 Nov 1951 00:07:00
Detailed plot accounts of this Herman and Katnip short are scarce, and this summary follows the surviving film. The film has a Mexican theme: one mouse, in a sombrero and carrying a guitar and a suitcase marked "Mexico", flies in on the back of a big red-and-white bird.
10 Nov 1951 00:07:00
The film retells the old murder ballad "Frankie and Johnny" as a courtroom musical. Frankie is on trial for shooting her lover Johnny, the piano player. The prosecutor sings his case: she shot him "rooty toot toot, right in the snoot".
01 Dec 1951 00:07:00
Big Top Bunny builds comedy around a strong Warner personality: Bugs' control, Daffy's instability, Porky's patience, Tweety's innocence, Sylvester's appetite, or Foghorn Leghorn's bluster. The plot is usually a trap designed to expose that personality.
15 Dec 1951
Tweet Tweet Tweety builds comedy around a strong Warner personality: Bugs' control, Daffy's instability, Porky's patience, Tweety's innocence, Sylvester's appetite, or Foghorn Leghorn's bluster. The plot is usually a trap designed to expose that personality.
