The list in release order, from the earliest shorts onward. Showing 461–480 of 698.
01 May 1954
No Parking Hare builds a compact situation around a familiar Warner personality. The plot may involve hunting, disguise, hunger, music, or rivalry, but the real subject is how quickly the character's flaw takes over the film.
04 Jun 1954 00:06:00
Popeye and Bluto drive rival taxis, and Olive Oyl, coming out of a shop with her parcels, is the only fare in sight.
02 Jul 1954 00:06:00
Popeye proposes and Olive Oyl accepts, and she goes to bed the night before the wedding full of visions of married bliss.
30 Jul 1954
The Oily Bird belongs to the Famous Studios era, where Popeye, Casper, Little Audrey, and other characters carried older theatrical habits into the 1950s. The short usually starts with a clear gag premise and follows it cleanly.
13 Aug 1954 00:07:00
Popeye's nephews refuse to eat their spinach, so their uncle tells them how the family came by the habit. In ancient Greece his ancestor Hercules, who looks exactly like Popeye, draws his strength from garlic, one sniff of which lets him lift mountains and win every bout at the games.
14 Aug 1954 00:07:00
Baby Butch turns pursuit or rivalry into precision mechanics. MGM's animation gives bodies weight, makes impacts musical, and lets domestic spaces become arenas of elegant destruction.
27 Aug 1954 00:06:00
On Halloween night Olive Oyl reads ghost stories aloud to Popeye and Bluto, each of whom wants the other to go home. Bluto pretends to leave and sets about scaring Olive and Popeye with staged horrors: a headless man at the door, a skeleton that walks by itself, a bedsheet ghost on a balloon.
12 Nov 1954 00:06:00
Popeye is a private detective, trench coat and all, and Olive Oyl hires him to guard a priceless jewel.
10 Dec 1954 00:06:00
Popeye is growing his own spinach, a whole garden of it, and a gopher has found the patch.
17 Dec 1954 00:06:00
No Ifs, Ands or Butts belongs to the Famous Studios era, where Popeye, Casper, Little Audrey, and other characters carried older theatrical habits into the 1950s. The short usually starts with a clear gag premise and follows it cleanly.
18 Dec 1954 00:07:00
Touché, Pussy Cat! builds a compact situation around a familiar Warner personality. The plot may involve hunting, disguise, hunger, music, or rivalry, but the real subject is how quickly the character's flaw takes over the film.
29 Dec 1954 01:12:00
Animal Farm adapts Orwell's farm allegory into an animated political drama. The animals' revolution, betrayal, and new oppression are staged with directness rather than musical softness.
14 Jan 1955 00:06:00
It is April Fools' Day, and Popeye, Olive Oyl and Bluto go on a picnic. Bluto has come prepared with practical jokes and plays them on Popeye one after another: a snapping cigar, an exploding sandwich, a rubber frankfurter, a trick chair, each followed by a bellow of "April Fool!" and Olive's…
29 Jan 1955
Pests for Guests belongs to the Famous Studios era, where Popeye, Casper, Little Audrey, and other characters carried older theatrical habits into the 1950s. The short usually starts with a clear gag premise and follows it cleanly.
09 Mar 1955
Man in Space is a mid-century animated short built around a direct comic or graphic idea. It reflects a theatrical market in transition, where older formulas still worked but television and changing budgets were closing in.
25 Mar 1955
Git Along Lil' Duckie builds a compact situation around a familiar Warner personality. The plot may involve hunting, disguise, hunger, music, or rivalry, but the real subject is how quickly the character's flaw takes over the film.
08 Apr 1955 00:07:00
A Bicep Built for Two belongs to the Famous Studios era, where Popeye, Casper, Little Audrey, and other characters carried older theatrical habits into the 1950s. The short usually starts with a clear gag premise and follows it cleanly.
11 Apr 1955 00:07:00
The Legend of Rockabye Point uses Walter Lantz studio energy: loud personalities, quick chases, and a taste for irritation that escalates into full cartoon warfare. The premise is direct, but the appeal is momentum.
16 Apr 1955
The Hole Idea uses Walter Lantz studio energy: loud personalities, quick chases, and a taste for irritation that escalates into full cartoon warfare. The premise is direct, but the appeal is momentum.
06 Jun 1955 00:06:00
Sh-h-h-h-h-h uses Walter Lantz studio energy: loud personalities, quick chases, and a taste for irritation that escalates into full cartoon warfare. The premise is direct, but the appeal is momentum.
