Hoppy Daze
11 Feb 1961
Hoppy Daze is part of the wide 1958-1967 animation landscape, when theatrical shorts, television episodes, features, sponsored films, and international festival works all overlapped.
The list in release order, from the earliest shorts onward. Showing 541–560 of 698.
11 Feb 1961
Hoppy Daze is part of the wide 1958-1967 animation landscape, when theatrical shorts, television episodes, features, sponsored films, and international festival works all overlapped.
01 Mar 1961 00:06:25
The Kid from Mars is part of the wide 1958-1967 animation landscape, when theatrical shorts, television episodes, features, sponsored films, and international festival works all overlapped.
01 Apr 1961
Hound About That belongs to the limited-animation television boom. The story is usually direct: a scheme, misunderstanding, chase, household problem, or workplace annoyance that can be staged quickly and clearly.
01 Apr 1961
Alvin's Solo Flight belongs to the limited-animation television boom. The story is usually direct: a scheme, misunderstanding, chase, household problem, or workplace annoyance that can be staged quickly and clearly.
24 Jun 1961 00:06:00
A Scent of the Matterhorn comes from the late Warner theatrical environment, where familiar stars, punning titles, and chase structures still carried the studio identity. The premise is compact and built for fast escalation.
01 Aug 1961 00:06:00
Cape Kidnaveral is part of the wide 1958-1967 animation landscape, when theatrical shorts, television episodes, features, sponsored films, and international festival works all overlapped.
24 Oct 1961 00:30:00
The Costume Ball is part of the wide 1958-1967 animation landscape, when theatrical shorts, television episodes, features, sponsored films, and international festival works all overlapped.
01 Nov 1961 00:06:25
Kozmo Goes to School belongs to the limited-animation television boom. The story is usually direct: a scheme, misunderstanding, chase, household problem, or workplace annoyance that can be staged quickly and clearly.
11 Nov 1961 00:06:00
Beep Prepared comes from the late Warner theatrical environment, where familiar stars, punning titles, and chase structures still carried the studio identity. The premise is compact and built for fast escalation.
09 Jun 1962 00:07:00
Bill of Hare comes from the late Warner theatrical environment, where familiar stars, punning titles, and chase structures still carried the studio identity. The premise is compact and built for fast escalation.
21 Jul 1962 01:21:00
Arabian Nights: Sinbad's Adventures represents the growth of Japanese feature animation after World War II. Its story draws on folklore, literature, manga, or fantasy spectacle and presents them with the broad appeal of a theatrical feature.
01 Dec 1962 00:06:30
One of the Family belongs to the limited-animation television boom. The story is usually direct: a scheme, misunderstanding, chase, household problem, or workplace annoyance that can be staged quickly and clearly.
22 Mar 1963 00:10:00
The Wise Duck comes from the late Warner theatrical environment, where familiar stars, punning titles, and chase structures still carried the studio identity. The premise is compact and built for fast escalation.
21 Dec 1963
Doggie March represents the growth of Japanese feature animation after World War II. Its story draws on folklore, literature, manga, or fantasy spectacle and presents them with the broad appeal of a theatrical feature.
25 Dec 1963
The Sword in the Stone uses feature-length Disney craft to organize fairy tale, adventure, or animal comedy into a polished emotional arc. The film depends on music, voice casting, and character animation as much as plot.
03 Jul 1964 00:28:00
A lonely woman longs for a child, and a magic seed grows into a flower; when it opens, a tiny girl, no bigger than a thumb, is sitting inside. She is Thumbelina, and she sleeps in a walnut shell and rows a leaf boat across a dish of water.
06 Dec 1964 00:53:00
Rudolph the Red-Nosed Reindeer is built for television but shaped like an event. It uses song, narration, seasonal ritual, or familiar literary material to make a short broadcast feel permanent.
18 Dec 1964 00:07:00
The Pink Phink is a design-forward short where the central idea matters as much as character. The cartoon may use abstraction, silence, geometry, music, or a single clean conflict to carry the whole film.
01 Feb 1965
Road Runner a Go-Go comes from the late Warner theatrical environment, where familiar stars, punning titles, and chase structures still carried the studio identity. The premise is compact and built for fast escalation.